Art Reborn

Hi, my name is Nikki Brown. I recently joined WNAA after a friend of mine who I had lost touch with, Esther Marshall, contacted me having seen a painting of mine on social media. The painting was of Hunstanton lighthouse, the result of a competition I staged on several FB pages during lockdown. 

Creative lockdown

We have all had such different experiences during lockdown. It would be interesting to compare how this has affected our creativity. I don’t know about you, but initially it seemed to suppress my freedom of expression and motivation and I had a real ‘block’. All that extra time and freedom to concentrate on painting and I couldn’t produce anything! Almost in desperation I joined a free online course suggested in Update – Louise Fletcher, ‘Find your Joy’ – and the very simple exercises she suggested bounced me right back to the way I love to work. (More about this course in the next issue of Update.)

Cat and Robin Layered Papercut

click on images to enlarge them

I was asked how I did the cat and robin layered papercut.
For this article I have simplified the stages, number of layers and individual pieces used.
From a master drawing, on A4 (60gm) tracing paper I traced guidelines to create a 10” x 7” image (inclusive of 1/2” bleed all around) to be cut down to a 9” x 6” finished image.

Musings of an Amateur Artist

Debbie 60th birthday Oil on board.

Debbie 60th birthday Oil on board.

I paint because I enjoy it – not because I’m good at it.

This title was paraphrased from a T-shirt I saw about playing a guitar, which I also happen to do with a fairly amateur level of competence. So, I thought the sentiment was particularly relevant to me and my painting.

Abstract

Thinking Deeply, Andrew Schumann

Thinking Deeply

I have been thinking about an ‘abstract’ image for the next online show and have made a choice.

Last Tuesday evening I was sitting out on our terrace, with my back facing west towards the setting sun and looking towards the east. 

InterAction

Unlike most members I am not trying to make painterly representations
of the world around us.

I seek to present visual references to what I call InterActions between the physical world and our emotional responses – to curves, volumes and colour masses, hills, holes and hollows – stroking the senses of touch and feeling.