Is it true that Shakespeare, himself, graced the stage of St. George’s Guildhall Theatre in 1592? Hard to believe when looking at this Grade I listed building in need of much love, care and renovation. But yes, it is true!
By Helga Joergens, Ringstead 2019
This text is based on the talk I gave to artists of the West Norfolk Artists Association in October 2018. It contains information and tips about the materials and processes involved in mounting and framing works of art on paper in a way that follows three principles:
Figure Totem Beast: Sculpture in Britain in the 1950s is the name of a current exhibition at Tate Britain. It is noteworthy because the sculptures were made in the time after the Second World War where a growing optimism of a more humane society was contrasted with the fears of nuclear development in the Cold War. These opposing elements are explored through pieces in isolation, with couples or in groups. The pieces are dynamic and full of energy.
I’m sure I have mentioned before how lucky I am to have a lovely daughter living in the Cote D’Azure, and on my visits to see her, how we put aside a day to visit a museum of my choice.
“Helen and I enjoyed 2 separate visits to the Sainsbury Centre in Norwich UEA. The most recent being Elisabeth Frink (1930-1993) exhibition which started 13th October to the 24th February 2019. Elizabeth Frink we hadn’t come across before but a most original artist living a Bohemian life in the 1950s and dedicated to her sculpture work, this relating to the horrors of the Second World War. The combination of human and animal sculptures were quite unnerving and fascinating at the same time.
At the suggestion of one of our members, my husband and I visited this delightful walled garden with some very interesting plants, shrubs and trees. The sun was shining on us that day and although a lot of the plants were over there was still plenty to see. It is relatively small and easy to walk around and there is a bench under one of the trees to sketch or simply sit and contemplate.
Recently on reading a news item in a national newspaper ‘Nudity Rings Alarm Bells at Cathedral’ I was prompted to write about my own experience of exhibiting art in churches since living in Norfolk. I have always felt slightly inhibited by the atmosphere of religious spaces for exhibitions, particularly having only previously exhibited in a gallery environment where I felt free to show work without boundaries or restrictions.
July 21 to August 4, 2018
Open daily 10.30am–4.00pm.
Impressions of this year’s exhibition at St. Nicholas Chapel in King’s Lynn.
We launched the exhibition with the preview on Friday evening. Special thanks go to Robert Rickard, the 14-19 advisor for Norfolk County Council for opening the exhibition and selecting the Syd Davison Award winner.
Looking at the origins of Kettle’s Yard in 1957, it is hard to imagine the legacy it has become. Although Jim Ede would have preferred a stately home, he was offered 4 tiny condemned slum dwellings from the president of the Cambridge Preservation Society.