An Oil and Cold wax course in the wilds of Yorkshire
In addition to preparing for the Horizons exhibition, I also took time out recently to attend a 3 day advanced course in oil and cold wax in Bingley. I have used cold wax in my landscape painting for around 3 years, having been inspired by the moody landscapes of Paula Dunn. I use this method to create blended landscapes and moody clouds, but was ready to learn more. Read more …
Out On The Fen
Hi, I’m Ian and I make photographs.
My love of photography started with my dad encouraging me to take family photos with his Kodak Box Brownie and then an Ilford Sportsman at the age of 8. The results I saw when the photos came back from being developed and printed were terrible but with further guidance and help from my dad I discovered that I loved taking photos, which still continues. Read more …
Well…that’ll teach us to organise a paint out in June! The weather forecast looked grim and I feared no one would turn up. However, I had obviously underestimated the resilience of our members because, as I pulled into the car park, I was greeted by a sea of friendly faces. I couldn’t see the rest of their bodies because they were swathed in waterproofs Read more …
David Lendrum, 2024
Interview with Hinton Magazine
David Lendrum: Embracing Abstract Beauty Through Nature and Innovation
David Lendrum’s art radiates a deep connection to both nature and abstract expression. From his early days of sculpting to his current works inspired by the serene landscapes of Norfolk, Lendrum has always sought to create art that speaks directly to the emotions, bypassing intellectual interpretation. In this insightful interview, the artist opens up about the pivotal experiences that shaped his creative vision, from the influence of the Bauhaus Basic Design Course to his ongoing exploration of color, texture, and form. Hinton Magazine delves into how Lendrum’s encounters with different cultures and environments continue to fuel his artistic innovation. Read more …
Baroque fumigation
Judith Tyler Hills has shared this fascinating account of what inspires her art, particularly items from her collection of medical instruments and equipment!
SHAPES, CURES AND QUACKS
An enduring fascination with shapes and form colours the way I see and represent the world around me. From the magnificence of mountains, cliffs and crashing waves to the leafy splendour of pines, the lattice work of branches and the delicate veining of leaves. Read more …
King’s Lynn – A one-of-a-kind illustrated book, is set to take readers on a visual journey through the fascinating history of King’s Lynn, offering a vibrant and captivating look at the town’s past. Filled with detailed illustrations, this project, spanning seven years to complete, not only showcases the architectural beauty of the town but also provides in-depth information, bringing context to the images. Read more …
Cast of Crabs
I am a pastel artist, and I work in a traditional, realistic style, almost exclusively drawing animals. I live in West Norfolk, although I grew up in Kent. I have always been an animal lover; I grew up with lots of small pets and my mum worked with horses. I have also loved drawing since I was very young – my favourite place to visit on my birthday was always the Natural History Museum. Read more …
Horses rolling , Iceland
I was given my first camera, a Brownie 127, at the age of eight, and a lifelong passion began. My well-worn early photo albums display tiny black and white images of family and friends, a succession of pets, and memories of Cornish beach holidays with crooked horizons and eyes squinting against the sun.
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‘Leaving Lines’ acrylic and graphite on paper
I was a kid who was always drawing, and it sometimes got me into trouble. It was compulsive and at school my ‘doodles’ were not appreciated especially when they appeared on a variety of surfaces. Though later art teachers were more encouraging. I left home and school and only occasionally drew or painted thereafter. I have a BA in film and photography but life took many different turns.
‘Impermanence’ from ‘Permanence — Impermanence’ Wighton 2024
I love anything that is new and different. That said, I love sculpting in any of the traditional ways. When I was at university, I wanted to learn everything — every style, every technique. I remember mentioning this to one of my professors. His horrified response was, “You’re talking about a universal education!” “Yes,” I thought to myself.