I spent 10 days in Cornwall this Spring, with half of this time working intensively alongside other artists on a ‘retreat’ at the St Ives School of Painting. The studios are right next to Porthmeor Beach, so a lovely place to go to work!
I found that there were only 5 of us plus lead artists Ilker Cinarel and Camilla Dixon. They were both totally inspirational and forced us all out of our comfort zones while being very supportive.
I was thrilled to be invited as a ‘wild card’ on Landscape Artist of the Year and recently spent a wonderful day at Hever Castle in Kent, where they were filming one of the programmes for the next series. If you keep an eye out on Sky Arts in January 2024 you might catch a glimpse of me! I later discovered that Louise Stebbing had been there the day before, working on a print in one of the pods. Read more …
I think I applied for Sky Landscape Artist of the Year to try and improve on the effort I made in 2016 at the Stowe heat. To complete a multi colour reduction linocut in just 4 hours.
Arriving at Hever Castle at 7am just as the thunderstorm broke overhead, thunder lightning and torrential rain was not how I was hoping to start the day – but at least I was one of the lucky 8 pod artists who could sit it out on the double decker bus enjoying the provided coffee and breakfast.
Drawing by Peter Brown
A group of members met up on a lovely sunny day on 8th June to do some painting and drawing ‘en plein air’ around King’s Lynn. We met up at the iconic Custom House and then set off to find a good spot – some of us stayed more or less where we were while others wandered along the river and found interesting views there.
Read more …
For the past eighteen years I have been painting and drawing on Fisher Fleet, a little-known part of Lynn’s vast docks complex. Strangely, many Lynn locals are totally unaware of the Fleet’s existence!
I was first told of its whereabouts some 40 odd years ago by an artist friend who lived in Leicester!
Read more …
Artspace on the Prom
I can’t exactly remember how I heard about the Cromer Artspace but when I did, I just had to go see it. I love Cromer with its wild, wind swept sea, so there was no holding me back. Although I’ve been to Cromer countless times, I was surprised at discovering this gorgeous Art Deco building fused into the cliff at the end of Cromer’s West Prom.
The space is both beautiful and unique. Facing north, it meets the ideal prerequisites for an artist’s studio. The sun reflecting off the sea gives a rare light to the work exhibited within. Looking out from inside is the pure wide sea. And its story is like the unexpected unravelling of a large wonderful ball of wool.
In 2013 floods caused the closure of the building. The gift shop moved to higher ground leaving the building empty. It remained so until 2022 when Cromer Artspace gained the lease for the Artspace on the Prom which opened in April of that year.
The history of Cromer Artspace goes back further than that. It was set up as a charity in 2020 to promote publicly accessible art. A research project was undertaken to explore possibilities and compare similar ventures elsewhere.
2020 saw the first initiative ‘Lockdown Views’ an “online response to lockdown experiences.”
A group of artists started looking for a space that could be used for art exhibitions. The passion of the artists was rewarded with a huge positive response from the residents and council of Cromer but there was work to be done. The first volunteers meeting was held in February 2022 and attended by over 60 people. Now, there is a growing group of about 50 active volunteers. Help also came from a charity called Volunteer it Yourself by providing young people Not in Education, Employment or Training to gain useful experience. They installed an accessible toilet and decorated internally.
In April 2022, Artspace on the Prom was launched with a Silent Auction named ‘It All Starts Here’ to raise money for repairs and improvements to the building and there’s been no looking back since. Thanks to a grant of £20,000 (£5,000 short of what was needed) from the Norfolk Coast Partnership an inclusive access ramp was installed and further renovations took place just before the second Silent Auction ‘Tah dah, We’re Back’ and launch of the 2023 season.
The Artspace is offering a full programme of contemporary art exhibitions this summer. The season runs into November. (Mine will be in September.)
Boy bitten by a Lizard, Caravaggio
But this is not all they do! They also run Pictures Around Cromer, a way to bring art to the people. This year, in collaboration with the National Gallery, 30 life-size reproductions of works from the collection are dotted around the streets of Cromer. The pictures date from Van Eyck (1434) to Monet (1907) and include works by Botticelli, Rembrandt, Turner, Van Gogh to name but a few. Printed brochures are available at the Information Centre and the Artspace on the Prom.
The most impressive thing about the project is that Cromer wants art. It’s the efforts of many that is creating a buzz around the town. Not only is the Artspace a well loved venue, it’s through the support of artists, art lovers and volunteers that the iconic Art Deco building is being restored. But there is still a lot of work to be done. The last time I visited, there was a bit of water on the floor. Money needs to be raised for roof repairs …
So, if you are looking for an artistic outing, Cromer is worth a visit.
Esther Boehm
All images © Cromer Artspace
A selection of links:
Listing of this year’s exhibitions
Apply to exhibit
Renovation appeal
Pictures around Cromer
The paintings
Where to find paintings
Family Trail and Artwalks
Chatsworth looking out
A recent visit, with friends, to Chatsworth House in Derbyshire allowed me to reflect on the practice of exhibiting contemporary art amongst the paraphernalia of days gone by.
(We are all familiar with the annual exhibitions at Houghton Hall.)
The current exhibition at Chatsworth, Mirror Mirror, Reflections on Design, co-curated with writer, historian and curator, Glenn Adamson has the stated aim – “to place original works in direct relationship to the historic design at Chatsworth, creating unexpected connections with the house’s architecture, interiors, furniture, ceramics, as well as its essential materials of glass, stone, wood, and light”.
We wandered around the house and grounds coming across the pieces, some, in our view, placed more successfully than others. What is it that makes some pieces “work” in a setting? Were the creators artists or designers?
What to make of Italian design studio Formafantasma’s ‘Charcoal series’ a cabinet of glass vessels and pieces of charcoal, seeking to compare and contrast charcoal connections to destruction and purification? Most visitors hardly glanced at it.
In contrast Jay Sae Jung Oh’s seat assembled from musical instruments wrapped in leather cord stopped people in their tracks, In the music room, it prompted observers to try to identify the instruments, while acknowledging how well it had found its place in the room. The ornate outcroppings, reflected in the carving and decoration of the other much older furniture, the natural material sitting comfortably on the wood floor.
The enigmatic coil pots, ceramic stoneware of Andile Dyalvane lured us along the Chapel corridor where they were displayed amongst stone and marble statues commissioned long ago. Somehow he seamlessly combines elements from his South African tribal homeland with influences from a recent Cornish residency. The pots draw the observer in to begin to notice the details, small holes and seams and scars, eyes and lips. Each pot different but making a coherent whole.
We all agreed we would like to have the Enignum VIII Bed, by Joseph Walsh but how would we get it up the stairs?
Chatsworth Cascade
There are 16 global artist/designers represented through the house and grounds and as with many exhibitions, there are pieces which are thought provoking, interesting, beautiful or boring.
The exhibition is on all summer so if you are travelling in that direction, it’s well worth a visit.
(We got the bus from Matlock where we were staying. It delivered us to the door.)
Michele Summers
Chatsworth House
Bakewell Derbyshire DE45 1PP
Thornham Village Hall has been the venue for the West Norfolk Artists Association Spring Exhibition for many years. This year is no exception.
Our Spring Exhibition over the Easter Bank Holiday weekend was a great success, with higher visitor numbers and more sales than ever before.
Here some of the works in the exhibition.
Congratulations to Neil Adams for winning the Curators’ Prize with his painting “Mapperton Garden. (Photo Neil Adams and Esther Marshall chair of the West Norfolk Artists Association.)
This spring, KL Magazine contacted me with an interest to write an article on my King’s Lynn work. I am currently working on a self-initiated project, to illustrate a book about the town of King’s Lynn. It will include historical facts, stories, and details of my own personal thoughts on buildings and streets. Continue reading
Our exhibition at the Fermoy Gallery was beautifully curated this year by Lydia Haines and Helen Breach, so many thanks to them. Out of all the great art on display their Curators’ Choice was for mixed media work by Anto Morra. Read more …