Sometimes, as artists, whatever our style or medium it feels like a struggle to find the light. It gives life and form to our work, but we have to ask more than “where is the light coming from here?”

Pauline Prior-Pitt writes poetry which sings of her love of the Outer Hebrides…
It was no surprise to find Pauline is also an artist. As we leave summer behind and enter into winter Pauline is happy for me to share two of her poems which reflect her observations of how light changes with the seasons.

Summer Light

think of green water

no, turquoise
think of blue
more green than blue

no, more blue than green
but darker
ultramarine

no, deeper turquoise
emerald sapphire

think of them all

think of sand cream bays
when the tide is out
streaked with shallow pools
reflecting silver blue

no, make that milky green
though milky green is more
when the tide saunters back in
and water from the burn
mingles peat brown to violet streams

think bright green

no, brighter
a May green, like leaf buds
of rowan trees in spring
machair headlands turning
daisy white to pansy yellow
buttercup to clover pink

think all this together

Winter Light

Think mostly muted
as if seen through grey veils
Still think abundant green, duller
water-logged brown in places
moss green fringed fawn

think cinnamon and ginger
think peat brown dug deep, almost black
think grey burns, grey lochs
grey sea trailing white pray

Then think a low down sun
Think peat grass glowing crimson
on the moor

think marram glossing ochre
over pale sand against gold water

think brimming burns and lochs
holding ink blue light

Visit Pauline Prior-Pitt’s website

Michele Summers
Photos © Michele Summers

New Year’s Day 2020 feels like a lifetime ago now. I’m certain we all had plans, big plans, small plans, for the year – for me there were exhibitions, craft fairs, teaching, workshops and shows, with something booked all the way through from the beginning of March till Christmas. I was excited. This was going to be my busiest year ever. I worried whether I would have enough work, frames and mounts, worried about whether tools and lino would arrive in time for the classes.  I was worried it might all go well; I was worried it might all go badly – 

March arrived and setting up the first exhibition at Welney Wetland Trust was really good fun – it looked great and it felt like a lovely way to start the run of events. Corona Virus was on the way and I suppose there was a part of me assumed it would come and go and life would be much the same afterwards. It sounds so naïve now. 

One day I had a full calendar, a week later nothing – email after email came in to cancel all those carefully scheduled events, and with every media outlet talking about rising hospital admissions and so many people dying – although it hurt, my art seemed trivial by comparison 

I know lots of artists were inspired by the time in lockdown. I wasn’t – I was sad about my scuppered plans, unable to feel creative, and trying to manage a mother in care on end of life care, and an aging father who refused to stay in and was incredulous and annoyed when I pointed out he was high risk – the conflicting advice, the rising figures – I am sure we have all felt the stress and confusion of it.

Eventually I began to make new work, mostly of things I was missing, like walking on the beach. But what I have missed most is interacting with the people I love, enjoy, like and admire – the village that is the art and craft community – catching up with people you may have not seen since last year, setting up your stand or helping to invigilate or hang a show, the shared joys of selling or not, of swapping hints and tips and contact details of people who supply that wonderful thing, that perfect tool or run that wonderful fair. 

So, those few events that have gone ahead in 2020 with careful management have felt like gold dust, and one of the nicest has been the Open Exhibition at West Acre Gallery, which ran for most of September, and hosted a wide variety of 2 and 3 dimensional work from 27 local artists.

To quote the organiser, Abbey Stirling,’ In the mix we have painters, printmakers, sculptors, ceramicists, metalwork, needle felt and textile artists all bringing forth their unique skills for this mixed discipline exhibition, to showcase a truly diverse cross section of artistic talent. ‘

And on a very positive note there were a really good number of sales, both of original art works and also from the gift shop that ran alongside the main exhibition, selling cards and smaller pieces of the featured artists’ work. 

West Acre Gallery is the brainchild and baby of Abbey Stirling. Conceived as community Art Gallery it is entirely crowdfunded and sits amongst the ancient ruins of a 900 year old priory in Abbey Farm, West Acre, in what promises to be a thriving local artisan community which currently includes a craft brewery, woodworkers, framers, artists and a mosaicist with more studio spaces available to let. 

It is the kind of place that promises great things in the future, while offering some wonderful things right now.

This year more than ever this event has been a real treat – a bright light in a very dark year. 

I think lots of us are hoping the West Acre Gallery Open will become an annual feature – for more details about the gallery, to hire or admire it, to join their mailing list, or to find out what they have planned for the rest of the year, go and take a look at the Gallery website: https://www.westacregallery.co.uk

Sue Welfare

Chapel 7

This is a difficult and trying time for us all, so here is a little breath of Cote d’Azur to cheer you up.

After all the cancellations of my trips during the spring and summer, I decided to take the bull by the horns and try to make it to France in August to see my daughter. Not sure if I was brave or foolhardy, but the journey to Luton and onwards to Nice was extremely challenging, but so worth it. Continue reading →

To give you a little background – I only started painting in 2014 after I closed my business and retired. I ran a successful greetings card publishing business for over 23 years designing, selling and publishing greeting cards in many different languages all over the world. During my career I met artists, illustrators, graphic designers and photographers and this fuelled my interest in art.

I was brought up in an academic household where art was frowned upon and considered the easy option! I now know differently! Any early aspirations I had regarding art were soon drummed out of me.

So, in 2014 I started on my journey into art initially joining a local art club headed up by one of our members, Terence Rogers. I am still very much at the early stages, but I am very keen to develop and improve and have joined many on-line courses – some good, some bad. I haven’t yet found my ‘Artistic Voice’ but I am still looking!

The following is one of the very good and free on-line courses available which I would thoroughly recommend if it becomes available again.

‘FIND YOUR JOY’ Free On-Line Course by Louise Fletcher – June 2020
www.louisefletcherart.com

Lesley’s article ‘Creative Lockdown’ in the August edition of Update gave you an insight on how this course helped her break her creative block.

I signed up for a free newsletter from Louise Fletcher some time ago and every Sunday one pops into my inbox. I found many of her topics resonated with me so when she advertised that she was running this free on-line course I was probably one of the first to sign up.

Louise is a professional abstract artist who is inspired by the beauty of where she lives in the Yorkshire Dales. She is a straight-talking Yorkshire lady who I have found both inspirational and motivating.

This course ran for 8 days but it was very manageable and everything was recorded so you could catch up later if you got behind. Each day probably only comprised one hour of video/exercises and in addition, if you wish, you could spend more time on extra assignments.

Louise asks you some soul-searching questions e.g. What brings you true joy:

In life?
In other people’s art? (What art moves you/touches your soul? Why does it move you?)
In the feelings you get when you are working?

She also advises you to:-

set aside part of every painting session for experimentation and to get really comfortable with failure.

look at past work – good and bad, liked and disliked and to make notes/paste images into a scrap book.

She tells you to ‘Follow the Joy’ and ask what makes you happiest when painting, for example: –

certain colours, certain subjects, realistic details with a tiny brush, bold, big strokes with lots of sloppy paint, straight lines and geometric shapes, organic forms, country scenes, urban nightscapes, seascapes, florals, animals.
Also pay attention to whatever gives you joy AND DO MORE OF IT!
All of the videos and the exercises aim to make you feel more relaxed and happy with failure (it’s all part of the learning process) – in fact one of the exercises, is to make a really ugly painting which is actually great fun!
She also asks you to consider setting limitations for yourself (as too many choices can cause us to freeze) e.g. a limited palette- 3 colours plus black and white; to paint with a limited number of marks or a limited number of tools; to narrow down the idea behind paintings to something very specific.

I think we all have creative blocks and her answer is to show up every day and do something – maybe try mixing different colours and noting how you achieved them, or tidying your studio/workspace but most of all experimenting and practising. One of the analogies I have heard is that you don’t expect to become a concert pianist without practising your scales every day and the same applies to art if you wish to improve – keep practising!
The aim of ‘Find your Joy’ is to give you a glimpse of what is possible, to be relaxed and easy if paintings go wrong and to understand that this is all part of the learning process. To trust your instincts and stop comparing yourself to others. To be curious ‘I wonder what would happen if…’
Louise tells you that the things holding you back are in your own head and that putting soul and personality into your work is vital.
I really enjoyed this course and if Louise runs it again would wholeheartedly recommend it. She runs this free course as a precursor to a much more comprehensive and fee paying 10-week course but don’t be put off as there is no obligation for you to join the latter.

Esther Marshall